Erik Wøllo

Silent Currents (Live at Star’s End) 2-CD


Tracks:

1   Silent Currents 1 - pt 1

2   Silent Currents 1 - pt 2

3   Silent Currents 1 - pt 3

4   Silent Currents 1 - pt 4

5   Silent Currents 1 - pt 5

6   Silent Currents 1 - pt 6

7   Silent Currents 1 - pt 7

8   Silent Currents 1 - pt 8

9   Silent Currents 1 - pt 9

10   Silent Currents 1 - pt 10

11   Silent Currents 1 - pt 11

12   Silent Currents 1 - pt 12

13   Silent Currents 2 - pt 1

14   Silent Currents 2 - pt 2

15   Silent Currents 2 - pt 3

16   Silent Currents 2 - pt 4

17   Silent Currents 2 - pt 5

18   Silent Currents 2 - pt 6

19   Silent Currents 2 - pt 7

20   Silent Currents 2 - pt 8

21   Silent Currents 2 - pt 9

22   Silent Currents 2 - pt 10

23   Silent Currents 2 - pt 11

24   Silent Currents 2 - pt 12

25   Silent Currents 2 - pt 13

26   Silent Currents 2 - pt 14

The 2-CD Silent Currents showcases a different side of Erik Wøllo’s sound. Here he explores fascinating electronic / ambient landscapes with slow-motion structures, surreal soundscapes and floating currents. Drawn from two separate live radio broadcasts, 104 minutes of music traverse a more ambient, atmospheric and textural side than experienced on his other albums. Recorded in the studio of the famous Star’s End radio show in Philadelphia, these performances from 2002 and 2007 are each a disc-long continuous piece with several chapters. With more focus on the deep drones than on melody and rhythm, zones drift and morph, organically flowing into each other. Layers of electronics and processed sound combine with light touches of electric guitar melody floating on top. Quiet, sparse and gentle electronic music with ambient passages mix with occasions of sequencer pulses.

Star’s End is one of the longest-running radio programs of ambient music in the world. Since 1976, this show has provided the Philadelphia broadcast area with weekly midnight musical adventures. Erik says, ‘I have been kindly invited to perform at Star’s End multiple times. To perform ‘on the air’ late at night in the radio studio contributed to these unique and inspired performances. In this setting, it felt very natural to do some